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4.3.2026Nashville, TNRyman Auditorium
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4.3.2026Detroit, MIRussell Industrial Center
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4.3.2026Austin, TXCome and Take It Live
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4.3.2026Tucson, AZRialto Theater
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4.3.2026London, United KingdomO2 Academy Islington
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The Bobby Lees
The Bobby Lees don't need much in the way of introduction. Within a few seconds of exposure to their furnace-blast live shows or their bottled-lightning studio records, it's easy to hear why they've earned fans in legendary musicians like Iggy Pop, Debbie Harry, and Henry Rollins. They're as uncompromising in their sound and generous with their energy as any of their punk ancestors who first rewrote the rules of engagement back in the 1970s. Led by singer and guitarist Sam Quartin, drummer Macky Bowman, and bassist Kendall Wind, The Bobby Lees bring wildness and danger back into punk rock. Their fourth album and Epitaph debut New Self marks a thrilling new chapter for the band while doubling down on what's always made them so magnetic. The members of the Bobby Lees first met in Woodstock, NY, in 2017, and officially released their debut album the following year. Since then, they've toured extensively on both sides of the Atlantic, building a dedicated following year by year. Their ferocious presence has always been undeniable, but New Self elevates their sound to even brasher heights. Produced by Dave Sardy and Alex Pasco in Los Angeles, the album sets The Bobby Lees' signature bravado loose across a wide and reverberating soundscape. They've never sounded quite this expansive or emboldened before.
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Joyce Manor
Joyce Manor are California pop-punk legends and I Used To Go To This Bar is this epochal band operating at the top of their game. They continue to deliver relentlessly satisfying rock music in a manner that makes it look simply effortless. The Torrance, California-hailing trio of Barry Johnson, Chase Knobbe, and Matt Ebert are at a point in their career where their position as one of the most beloved rock bands is a foregone conclusion. Their seventh album, produced by Brett Gurewitz (of Bad Religion and Epitaph Records CEO) finds the group continuing to find rich new veins to tap in their short-and-sweet songcraft without losing an ounce of bite that gained them such repute in the first place. A bustle of activity that followed the release of 2022’s excellent 40 Oz. to Fresno and included an instantly memorable appearance on John Mulaney’s Everybody’s in L.A. and a retrospective assessment of the group’s seminal 2011 self-titled debut as part of Pitchfork’s esteemed Sunday Review series. The band’s had a whirlwind touring schedule over the last few years, which has included an outing with Weezer and multiple sold-out shows at the legendary California venues Hollywood Palladium (including a guest performance by Mark Hoppus for the fan favorite “Heart Tattoo”) and Long Beach Arena. This new record retains the band’s penchant for punchy hooks while sounding fuller, more in-your-face, and all-around bigger than ever, with an all-star crew of collaborators along for this wild ride. Along with mixing pro Tony Hoffer (M83, Beck), behind-the-boards legend Tom Lord-Alge lent his Enema of the State engineer magic to several I Used To Go To This Bar cuts, including the first single “All My Friends Are So Depressed.” The album also features a rotating cast of drummers, including touring drummer Jared Shavelson, Social Distortion’s David Hildago, Jr., and Joey Waronker—the latter of whom is currently hitting the skins for Oasis’ reunion tour.