Upcoming Shows
See All-
1.21.2025Atlanta, GAThe Masquerade
-
1.21.2025Lisboa, PortugalLAV - Lisboa Ao Vivo
-
1.22.2025St Petersburg, FLJannus Live
-
1.22.2025Madrid, SpainSala mon
-
1.23.2025Cape Town, South AfricaCalabash South Africa 2025
News
See Allpoptropicaslutz! Announce New Album ‘the new 925’ Out March 28, Share Music Video "tryna get that kate moss 2025"
Listen
YouTubeFeatured Video
YouTubeFeatured Video
YouTubeFeatured Artist
See All
The Linda Lindas
No Obligation, the second full-length release from The Linda Lindas further advances their unironic, joyful, and exciting trajectory of mashing up L.A. punk with post punk, garage rock, power pop, new wave and rock en español. Written and recorded by the band during spring breaks, winter breaks, and long weekends (Lucia and bassist Eloise Wong are still in high school, drummer Mila de la Garza just finished middle school, and Bela Salazar is patiently waiting for them to get done with it already), the new album has been in the works for the last two years whenever they weren’t at school or touring. “I don’t got no obligation,” roars Eloise in the opening, title track of the album - “just brush off all expectation.” From the first moment of their sophomore release it is clear that The Linda Lindas are here to defy expectations and challenge norms.
Featured Video
YouTubeFeatured Artist
See All
Death Lens
Death Lens want to be in your ear at all times. They hide their ferocity underneath a thick veneer of style until the energy and chaos of one of their live shows leaves every audience member disarmed and forever changed. Off the strength of 2022’s No Luck, tours with Militarie Gun and Together Pangea, and the support of their hometown, Death Lens is releasing their new album, Cold World, May 3rd on Epitaph Records. For Death Lens, it’s all been building to this. Cold World is a departure from the early styles Death Lens mimicked as a young band, transmuting them into matured and brawny post-hardcore tinged rock songs. On record, Death Lens have an established habit of writing hard-nosed rock that combines West Coast reverbed-out surf punk with tight and bouncy Britrock, deceptively characterizing the band as exclusively chill and vibe-focused when live, a Death Lens show has all the energy of hardcore. Slick guitar sonics and sugary backing vocal harmonies that feel like the best parts of indie punk and shoegaze are the foundation of their style, but in a 200 capacity room, Death Lens brings the same winning concoction as Turnstile and Militarie Gun. In other words, these are the kinds of songs that become the soundtrack to enduring memories of nights of drunken, sweat-drenched singalongs.