Pool Kids' third album, Easier Said Than Done, shimmers with emotional clarity and courage. Adrenalizing and irresistible, it brings the dynamism of the band’s live show into the studio, showcasing a style that's unmistakably their own. Pool Kids first started playing on Tallahassee's house show circuit. The band earned a fan in Paramore's Hayley Williams with their debut album, 2018's Music to Practice Safe Sex To. After they filled out to a four-piece -- Andy Anaya on guitar, Nicolette Alvarez on bass, Caden Clinton on drums, and Christine Goodwyne on guitar and vocals -- their 2022 self-titled record netted critical acclaim with its lush, high-contrast mixture of pop, emo, and math rock. They've shared stages with The Mountain Goats, PUP, Beach Bunny, and La Dispute. They hold fast to their DIY principles: Anyone can do what Pool Kids do. Anyone can start a band. For Easier Said Than Done, Pool Kids worked with producer Mike Vernon Davis (Foxing, Great Grandpa). They funded the record themselves, and spent five weeks recording in Seattle. To save money during sessions, they stayed with friends, in motels, and slept on the floor of the studio. "We did a lot of searching, playing each song a million different ways and deciding which one sounded the best," says Goodwyne. With the completed record in hand, the band signed to Epitaph. On the thundering "Tinted Windows," Goodwyne grits her teeth at the way spending months on tour and missing important milestones can stress close relationships. "Exit Plan" memorializes the experience of saying goodbye to friends at the end of a string of shows, knowing those powerful bonds may never feel the same again. On "Bad Bruise," Goodwyne makes a bid for understanding: "Pretty please, empathy / Got me on my knees," she sings while the band closes ranks around her. Powerful collectivity rings through Easier Said Than Done -- in the dynamic interplay between Goodwyne and Anaya's guitars, in Alvarez's gravitational basslines, in Clinton's whirling drum patterns. Pool Kids lock together into a unified force, propelling themselves forward into hard-won release. Easier Said Than Done impresses one of the most important reminders anyone can hear: You don’t have to do anything in this world alone.
SPIRIT!, the third LP from HUNNY, is all about embracing the weird. It’s an album born from uncertainty and built on instinct – a testament to breaking free, starting over and blocking out the external noise. Now solely the project of longtime frontman Jason Yarger, HUNNY has shed its past shape to become something more fully itself. Fundamentally, the Epitaph-released SPIRIT! doesn’t reinvent the wheel for HUNNY as much as it keeps it rolling forward on a blend of hooky post-punk, gleaming synths and shout-along choruses. Yarger wrote and recorded the album almost entirely in his LA home studio, emptying his voice memos and Notes app of in-the-moment observationalism and off-the-cuff inspiration – all combining to strike the perfect balance between irreverent humor and indie-rock chic. It’s yet another chameleonic turn for HUNNY, long known for shapeshifting through genres and decades with style on fan favorites like 2019’s Yes. Yes. Yes. Yes. Yes. and 2023’s new planet heaven – all while still sounding unmistakably like itself. For Yarger, the process of making SPIRIT! ultimately marks a pivotal shift, not just creatively, but in how he envisions the future of HUNNY. Free from compromise, he’s able to follow his instincts, allowing his music to unfold in unexpected ways. “I'm trying to be less precious with my songwriting,” he says. “I don't want anything to sound like HUNNY at this point – or, I simultaneously want nothing and everything to sound like HUNNY.”