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4.24.2025Montréal, QCThéâtre Fairmount
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4.24.2025Hampton Beach, NHHampton Beach Casino Ballroom
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4.24.2025New Kensington, PATeenage Wrist + Split Chain
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4.24.2025New Kensington, PAPreserving Underground
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4.25.2025Manchester, United KingdomAlbert Hall
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Split Chain
There’s a phrase you’ll hear repeatedly when in the company of Split Chain: “The Chain does what it wants”. As mantras go, it’s used by the Bristol, UK quintet as a means of encapsulating the broad-minded, unconstrained creative freedom with which they approach their art, as well as a means through which to try to make sense of the sky-rocketing trajectory the band have found themselves on. Call it instinct, fate, divine intervention, whatever – the whims of ‘The Chain’ have led to a moment where one thing is abundantly clear: Split Chain are one of the hottest, zeitgeist-capturing new bands in the world. “Split Chain is something that none of us feel like we have any control of,” says frontman Bert Martinez-Cowles. “Split Chain simply does what it wants and what it needs.” It is at this juncture in Split Chain’s journey that debut album motionblur arrives. Described by Bert as “a coming of age story”, the album channels the conflicting and contradictory angst, excitement, joy and pain of growing up and discovering your true sense of self. motionblur presents a story that speaks to both Split Chain’s members’ personal experiences and those shared together in the past few dizzying years; a visceral, kaleidoscopic wall of sound where unsettling, disorientating confusion meets a fevered adrenaline-rush. motionblur is an album to experience, to feel, to engulf; it’s the blissful sense of euphoria that comes with drowning in its waves. There are shades of the quintet’s beloved Deftones, Superheaven, Narrowhead; bursts of nu-metal, and ripples of shoegaze. An emo melancholy hangs heavy. Grunge swerves in and out of view. Metal crackles under the surface. Its beauty lies in its skillfully crafted coalescence, no mean feat for an album so richly varied yet singularly focused. motionblur is at once a nostalgic homage to its 90s and early 00s cultural reference points while never once sounding anything less than thrillingly vibrant, a captivating depiction of rock’s burgeoning present and future.
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Nascar Aloe
Nascar Aloe’s HEY ASSHOLE! EP is brash and in-your-face, just as the name suggests—and it’s also exactly what music needs right now. The Los Angeles-based musician has spent the last several years building a devoted fanbase for his audacious and genre-bending musical approach, embracing a gleefully caustic and immediately appealing perspective to the many lanes of overlap when it comes to rap and punk. With HEY ASSHOLE!, Nascar Aloe brings his most impactful and immediate music to date, combining his abrasive hip-hop style with new, rock-situated elements that continue to push his music forward. Defining himself as “a little fucking twerp that came out of my dad’s nutsack,” the North Carolina-born artist formally known as Colby Suoy was invested in music from an early age, as being exposed to his father’s jazz and R&B-leaning taste led to regular viewings of 106 and Park and exploring the expansive sounds of rock, pop, and country. “In North Carolina, the radio bounces all over the place,” he explains, and after acquiring some basic recording equipment he was following suit with his own self-produced music. “I self-taught myself how to record and produce,” Nascar recalls. “I was trying to figure out ways to make serious music.”