Split Chain - vocalist Roberto Martinez-Cowles, guitarists Oli Bowles and Jake Reid, bassist Tom Davies and drummer Aaron Black – have been making waves in the alternative scene with a brazen mixture of heavy influences they call “nu-gaze”. With just a handful a self-released tracks they reached over 10 Million streams independently and before joining the Epitaph family. After dropping their official label debut single “(Re)-Extract” feat Softcult, they were quick to be named the AltPress Breakout Artist Of The Month, earning additional nods of approval from Revolver, BrooklynVegan, Stereogum and more. Formed as a creative outlet while on the road to recovery from addiction, the band members came together in support of each other and cemented a deep bond over the healing power of music. By channeling their personal struggles into emotionally charged songs, they have connected with a growing fan base drawn to their vulnerability and honesty. “We were writing music as an escape, a distraction, to create what we wanted to listen to,” they explain. “We ended up loving what we had created so much, and from this, Split Chain was formed.”
Nascar Aloe’s HEY ASSHOLE! EP is brash and in-your-face, just as the name suggests—and it’s also exactly what music needs right now. The Los Angeles-based musician has spent the last several years building a devoted fanbase for his audacious and genre-bending musical approach, embracing a gleefully caustic and immediately appealing perspective to the many lanes of overlap when it comes to rap and punk. With HEY ASSHOLE!, Nascar Aloe brings his most impactful and immediate music to date, combining his abrasive hip-hop style with new, rock-situated elements that continue to push his music forward. Defining himself as “a little fucking twerp that came out of my dad’s nutsack,” the North Carolina-born artist formally known as Colby Suoy was invested in music from an early age, as being exposed to his father’s jazz and R&B-leaning taste led to regular viewings of 106 and Park and exploring the expansive sounds of rock, pop, and country. “In North Carolina, the radio bounces all over the place,” he explains, and after acquiring some basic recording equipment he was following suit with his own self-produced music. “I self-taught myself how to record and produce,” Nascar recalls. “I was trying to figure out ways to make serious music.”